In the former instance, "the world" is when compared to a stage, describing it While using the attributes of "the phase"; "the world" could be the tenor, and "a stage" could be the car; "Adult men and women" would be the secondary tenor, and "gamers" will be the secondary motor vehicle.
La casa e il nido hanno in comune il fatto di essere dei luoghi che proteggono, insomma la casa for each gli uomini è arrive un nido che protegge. Anzi eliminiamo il come, la casa è un nido che protegge.
In so accomplishing they circumvent the trouble of specifying one after the other Each and every of the usually unnameable and innumerable features; they steer clear of discretizing the perceived continuity of practical experience and are As a result closer to practical experience and As a result additional vivid and memorable."[27]
A metaphor is undoubtedly an implied comparison, as in "the silk of the singer's voice." This is certainly in contrast to your explicit comparison of your simile, which works by using like
De allí que se pueden citar gran cantidad de ellas con facilidad. Observando por supuesto, la relación de parecido entre las Thoughts o pensamientos que las conforman.
Ini adalah metafora yang telah digunakan begitu sering sehingga tidak lagi dianggap sebagai metafora dan menjadi bagian dari bahasa sehari-hari.
“Pasó por el anochecer de sus recuerdos”: Implícitamente se relaciona la oscuridad de la noche con la pérdida de recuerdos.
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Kvintilijan je metaforo izpeljal iz primere in jo imenoval skrajšana primera. Razlikoval je štiri vrste metafor, po njegovem prihaja v metafori do pomenskega prenosa z živega na živo, z neživega na živo, z živega na neživo in z neživega na neživo. Primerjalna teorija je tako posebna oblika substitucijske teorije, saj razlaga metaforo kot izraz, ki ga je mogoče nadomestiti z dobesednim izrazom.
El objetivo era intentar descifrar los secretos de una extensión de océano conocida como el "triángulo de coral", y esperaban utilizar esos secretos para proteger los arrecifes en la actualidad.
La satisfiedáfora es una herramienta fundamental en la literatura, la poesía y el discurso en typical, y su uso adecuado puede tener un impacto significativo en la forma en que nos comunicamos y entendemos el mundo que nos rodea.
je stavek, ki ni nujno vzet iz književnosti, saj ga lahko slišimo precej pogosto. Podobnih primerov te tako imenovane »konceptualne click here metafore« je nič koliko. Lakoff pokaže, kako pojmujemo ljubezen kot potovanje, v kateri sta ljubimca popotnika, ljubezenski odnos vozilo, skupni smotri so cilji potovanja, težave v odnosu pa ovira v potovanju.
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In both of those sentences, we are comparing Jordan to the copyright. In the main sentence, the comparison is overt: the copyright is mentioned immediately. But in the next sentence, we imply that Jordan may be the copyright by comparing his behavior (fanning his feathers) to something peacocks are known for performing.